"Images 36: The Best of British Illustration 2012"

The latest copy of Images 36 has been sat on my drawing board for a few weeks now and I've just not got around to posting a photo of the image in this years annual. This illustration completed for the Radio Times was selected to go to print out of three other pieces and here it is on the page. The full write up and a little background info on the commission can be seen here in an older post.

Finishing Report Cover

Here's an interesting job I did a couple of months ago and have been meaning post on here and I've only just got around to it. A commission for a printing magazine where they wanted to show the key different finishing processes used in print binding. As a theme the client requested the following anthropomorphic figures: Stitch, Glue, Cut and Fold Figures to be depicted simply, but ascending a staircase. A really interesting challenge in having to design the figures and how they fit in with each on the staircase. A couple of different colourways and the printed image shown. 

Radio Times: Old Harry's Game

Delighted to have recently worked on a Radio Times commission for the Radio 4 series "Old Harry's Game". Written by Andy Hamilton. 


"This two-part special inspired by the unavoidable and almost upon-us Olympic Games. Satan (the devilishly good Andy Hamilton) has seen it all before, ever since 776BC to be precise. Fellow inmate Edith (Annette Crosbie) the historian who who apparently committed suicide while watching Midsummer Murders, is delighted by the prospect. Satan has no choice but to correct her rose tinted view and carts her off to meet the Ancient Greek Olympics committee. They are all in hell, and we soon understand why. (lets hope the same same fate does not await Sebastian Coe). Next week's edition returns the wretched underworld losers to 2012. Satan agrees to take Edith to the London Olympics, but its more a case of going for Gehenna than Gold."


Great fun to revisit this character again for Old Harry's Game. To be broadcast Thursday 12th July. Can be seen in the current edition of the Radio Times, out on newsstands today: http://www.bbc.co.uk/comedy/oldharrysgame/

Also featured on the LCS News section: Little Chimp Society Illustration News....

Happy 350th Birthday Mr Punch

A blast from my past with Punch and cohorts coming to news attention again as he celebrates a big birthday.

Its a few years since I worked on a Mr Punch image, but seeing the article on the BBC website (by Tim Masters) made me want to revisit the character again. Will see what time allows for a little playful reworking perhaps. Fascinating to read up about Punch on the BBC site and amazing to think that the character has been around for 350 years.

I remember visiting the British Toy and Model Museum at the time of this job and having a good look at some of the vintage props they had from various puppet shows. They were really helpful when I outlined why I was researching Punch and by appointment I was able to see and handle the puppets. I remember them being a little fragile, tired and a little passed their best due to heavy use and wear - exactly how they should be. When I designed the image for the stamps I leant away from the sinister side of Punch, making him softer in character and thought what would he look like when fresh out of the box.

Once all of the sketches were approved I remember painting this image on a tiny A4 watercolour artboard on my Grandad's kitchen table as that was temporary studio at the time - I was staying with him before I moved to London. Not only was this commission one of my all time favourites, it also remains one of my fondest memories too, as my Grandfather and I discussed the creative process when I was going through the ups and downs of the job. He witnessed the progress from initial rough sketches, revised detailed drawings and of course through the finished artwork stages. That memory means everything to me now.

BBC Entertainment & Arts

Apple Mac G5 Update

Apologies in advance for this indulgent post - incorporating high levels of Mac tech info! But, If you are a creative bod who runs an old Mac day in day out for work, the following may be of use to eek out as much performance as possible from your old box of sparks.

I have two Macs: An old 2005 G5 (Non Intel, Power PC 2.5 Quad Core) for rendering images and an Intel MacBook for email comms, net surfing and general family use. Both are synced with Apple's MobileMe. With the imminent closure of MobileMe and the move to iCloud this June signals the end of Apple sync support for older Macs. What to do?

New Mac Pro / iMac updates were expected at WWDC this June, I had planned to replace the Mac G5 with the latest Mac Pro when announced. Very disappointed with Apple's derisory upgrade. After a direct email to Tim Cook from a disgruntled Mac Pro user (not me!), Apple's new CEO replied publicly and made the unprecedented announcement (for Apple) that they are working on a Pro machine for 2013. Faith restored for Apple's long term users, but no new Mac Pro for me just yet, I'll wait. Time to refresh the G5 while keeping to a modest budget and explore alternative syncing approaches, so buying a bit of time to see what Apple do next…

http://www.macworld.com/article/1167247/cook_apple_planning_professional_mac_for_2013.html

At launch the 2.5 Quad Core G5 was a potent bit of kit, but things have moved on in the last seven years:

http://support.apple.com/kb/SP37

Current Spec: 8 GB RAM. Two internal HDD Drives. First for OSX, Apps and Work Files. Second partitioned, one section as a Photoshop Scratch Disc, the second for back up. Both drives almost full with only a couple of GB to spare, so performance of the G5 was slow to say the least, and crashed pretty regularly. Decided to rebuild from the ground up, and after much net trawling a plan materialised...

Preparation

1.First step was to ruthlessly delete space hogging files - reference for old commissions, alternative illustration versions, scanned sketches etc. Literally, GB's of data deleted. A cracking little app for the purpose: 

http://www.daisydiskapp.com/

2. All of the applications that I'd tried as a demo, and never bothered deleting were trashed. Again, GB's of space reclaimed. Another handy app: 

http://appzapper.com/

3. The next stage was to pinpoint the work files regularly used (textures, backgrounds etc etc) and which little used files could be archived.This gave me an idea as to how much hard disc space I had to play with for when setting up the drives.
4. Before any further changes were implemented everything was backed up to three external drives. Two drives mirrored and bootable, one just another copy of work files.

The Kit

5. Matched pair 4 GB new RAM bought, giving a total of 12 GB.

http://www.macupgrades.co.uk/store/product_info.php?products_id=330

http://eshop.macsales.com/installvideos/powermac_g5/

6. A Solid State Drive (SSD) ordered. A low-ish capacity 120GB unit, to be used as the OSX boot drive. Not the fastest 6G available as it has to be back compatible with SATA1 transfer speeds. So a 3G SSD it was. Still a significant improvement over a mechanical drive!

http://www.macsales.com/

http://eshop.macsales.com/shop/internal_storage/Mercury_Extreme_SSD_Sandforce/Solid_State_Pro/

7. Internal Drives configured: Drive 1 SSD 120GB (smallest capacity) now only holds OSX Leopard 10.5.8, accompanied by essential Apps, and the current working illustration file. Drive 2 HDD 500 GB (largest capacity) partitioned into two: 75GB for a Photoshop Scratch Disc. The remainder 425GB for work files alone. No internal backup this time round. 

8. An eSATA PCI Express card added to one of the spare PCI Express slots to speed up data transfer / write speed to the two external backup LaCie D2 Quadra Drives. The third LaCie connected via a Firewire 800 port.

http://www.sonnettech.com/product/tempo_sata_e2p.html

http://www.lacie.com/products/product.htm?id=10330

9. Then, both internal drives were backed up to the LaCie's. I tend not to use Apple's Time Machine as it does not support a bootable backup.Two helpful backup apps...

http://www.bombich.com/

http://www.shirt-pocket.com/SuperDuper/SuperDuperDescription.html

10. I Installed Dropbox, Evernote and Syncmate. Three superb pieces of software that help with the communication between both Macs and overcome the syncing chasm left by the closure of MobilMe...

https://www.dropbox.com/

http://evernote.com/

http://mac.eltima.com/sync-mac.html

And there we have it. The outlay? Around £235 / $350 (inc tax & courier delivery). A relatively modest sum compared to a new Mac, which bought me a significantly snappier, refreshed box of G5 tricks. The result - Is it a new Mac? No, but its enough of an improvement to wish I'd employed these upgrades much much sooner.

The results by breakdown, not benchmark figures I hasten to add, just an everyday working perception as to how the workhorse Mac feels in use…

1. RAM: Noticeable difference, quicker application switching and less spinning beach ball of doom when waiting for rendering effects in Photoshop. Machine now much happier with multiple apps open at the same time.

2. eSATA PCI Express Card: Significantly improved write speeds to the external LaCie drives. Makes using them for storing often used resources (textures etc) viable, rather than just archive backup.

3. Drive Configuration: Using two separate drives for OSX and working files helped make the launch of apps snappier and sharper. 

4. SSD Drive: The best till last. Would I go back to HDD? No ! Some run times…

	HDD	SSD
Bootup	1.05 min / sec	0.45 min / sec
Photoshop Launch	0.15 min / sec	0.5 min / sec
Photoshop Open 1.85GB File	2.55 min / sec	2.10 min / sec

Overall I'd say that the Mac feels about 20% sharper than before. Well worth the outlay and buys me some thinking time while Apple sorts out the next Mac Pro.

Hope you find the post interesting - and congratulations if you have got this far without the use of smelling salts :-)  

Little Chimp Society News Featured

EDIT: A twenty stage step by step process showing how the Radio Times image was rendered is now availalbe on the Beehance Network.


I'm very pleased to report that the guys over at The Little Chimp Society have kindly featured one of my latest projects on their excellent Illustration website. LCS is one of the best websites on the net to receive the latest news about Illustrators and their work. Well worth visiting the site. Similarly to Illustration Age, they tirelessly showcase work from artists across the planet.

The image was completed recently for the Radio Times and is published in this weeks Jubilee edition. You can see the article here at LCS: Radio Times Illustration: People Don't Do Such Things. 

A further, more detailed write up including a step by step guide as to how the image was rendered will be published at a later date on my Behance Folio.

Illustration Age Featured

I'm delighted that Thomas James and the guys over at Illustration Age have kindly featured a few of my images on their superb website. For all things Illustration, one of the finest sites on the web. If you have not already visited, then its worth taking the time to look through the broad range of inspiring Illustration work they tirelessly showcase - featuring work from artists across the planet.

Euro Deflation

Is the end of the Euro in sight? Seems it could well be, certainly ominous as to what's happening in Greece, now possibly Spain as well, and the financial market reaction. An image exploring the deflation of the great hope that is, or could be was, the Euro. I've been working on this for the last week or so as the news of the crisis unfolds - working on and off between other things.

Twitter

Twitter-Tastic ! I'm finally on the Twitter-Scape. Catch my 140 characters here: @Kevin_Hauff. Its taken a while (I know), but with one thing after the other its just something I've not got around to doing as yet ! Had fun quickly blocking out the icon, all ready for a pending website revamp.

Influences: The Haunting

Supernatural themed Horror Movies are a particular favourite of mine, especially the slow to build menacing films that unsettle after the popcorn spills have long been swept away and the unease lingers into the daylight hours. Growing up in North Wales where the winters, although mild, were often windswept and wild, meant weekend evening hibernation with the TV was a regular pastime.

Luckily my mother was pretty liberal in her attitude to me watching late night Horror and Sci-Fi movies (thanks Mum) and this opportunity I embraced with relish. There are many movies from this formative time where the impact has stayed with me to this day. One particular film still has the capacity to raise the hairs on the back of the neck. The Haunting was directed by Robert Wise and starred Claire Bloom, Julie Harris and Richard Johnson. Made in 1963 in the UK on a modest budget, it tells the tale of a group of visitors  to Hill House, assembled by Dr Markaway (R. Johnson) to assist his scientific investigation into the paranormal, each guest having some experience of the supernatural.

Around the age of eleven or twelve I stayed up late one saturday night and watched this on my own in the dark, Mum having long since sank into a duvet. Being a black and white pre Hammer colour movie I expected it to be a laugh out loud comedy fest of vampire bats on strings, gothic cardboard sets and obvious BOO! shocks. Not a bat on a string in sight. This turned out to be a very unsettling film, as it intelligently plays on the fear of the unseen but present threat, and where the house itself is also part of the malevolent spectre, reinforcing the feeling of threat in every shadow. The form of this unseen menace is presented almost entirely in sound - another clever twist. Superb cinematography, editing and outstanding sound design make for a heady mix. There is the occasional flurry of over the top acting, but overall its not a dish served with thick sliced HAM.

The remarkable thing about this movie is that it really does stand up well today. I watched it again recently almost by accident. One weekend where Su had gone to bed I was still up padding about in the small hours, sleep a distant desire as I just could not settle due to a heavy cold. So I plonked myself on the sofa feeling sorry for myself with a hot glass of cold remedy. Scanned the channels and found The Haunting about to start in ten minutes. Great! I told myself that I'd just watch the first fifteen minutes or so while I drank the honey and menthol brew and then head up the to see the sandman. Fifteen minutes passsed in an instant - The Haunting had me hooked again. I sat and watched the movie in entirety and to my surprise it still unsettles all these years later, albeit to a lesser degree. With the credits rolling I sat there thinking just how good a film this really is and that early impression it made was not without substance. If this movie had "Directed by Alfred Hitchcock" at the top of the credits or on the poster it would be revered as one of the greats. I've since found out that its one of Martin Scorsese's fav horror movies, but other than that it rarely seems to get a mention outside of genre fans. 

The CGI heavily laden 1999 remake is terrible, although for a satisfying Ham & and Cheese fest its a riot :-)

A full from IMBD synopsis:

"Hill House has an evil history with tragic accidents, suicide, and human misjudgement. Dr. Markway (Richard Johnson) is a pyschic researcher who assembles a group with histories linked to the paranormal. Eleanor (Julie Harris) was the subject of unexplained poltergeist activities as a child. She also is riddled with guilt over her mother's death. Theadora (Claire Bloom) is a clairvoyant who befriends Eleanor at Hill House. Russ Tamblyn plays the cynical scion of the owners sent to make sure that the property is not affected by the researchers. Together the group explore Hill House and their own insecurities. Director Robert Wise created a taut drama where the real question is who is haunted and who may be unstable."

Some more at IMBD and Wiki.